List of movies you just need to see! My 3 personal favorites! Which are Matrix (1st), Shawshank Remedy, and Schindler’s List
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Shawshank Redemtion TRAILER
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List of movies you just need to see! My 3 personal favorites! Which are Matrix (1st), Shawshank Remedy, and Schindler’s List
MATRIX TRAILER
Shawshank Redemtion TRAILER
Schindler’s List Trailer
Related Post
Free Hd Movies
3D Movies – How it works ?
It’s time to understand how 3D movies work, since at this point they’re never, ever going away. Find out how the Na’vi hair tentacles managed to reach out and spill your Mr. Pibb.
When going to the theater to see a 3D movie, most of us expect to pay a few extra dollars. This is not justifiable economics. If the theaters behaved according to the mechanics of 3D, they would have to choose between two different rates for the movies; either half as much as a regular film, or twice as much. Who wants to take bets on which they’d charge?
It could be argued that 3D movie patrons should only have to pay half what regular movies are worth. Unlike regular movies, 3D films don’t deliver a complete product. A regular film is true mindless entertainment. The brain doesn’t have to engage, because everything laid out, including the images. A 3D film presents a fractured image, and it’s up to the viewer to knit that fracture into a three dimensional image. This usually isn’t too taxing for the viewer, because that’s what they do every day. Or, at least, most of them. The ones with two eyes.
———-Relates Post———–
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In a movie theater, the reason why you wear 3-D glasses is to feed different images into your eyes just like a View-Master does. The screen actually displays two images, and the glasses cause one of the images to enter one eye and the other to enter the other eye. There are two common systems for doing this:
Red/Green or Red/Blue
Although the red/green or red/blue system is now mainly used for television 3-D effects, and was used in many older 3-D movies. In this system, two images are displayed on the screen, one in red and the other in blue (or green). The filters on the glasses allow only one image to enter each eye, and your brain does the rest. You cannot really have a color movie when you are using color to provide the separation, so the image quality is not nearly as good as with the polarized system.
![]() The red and blue lenses filter the two projected images allowing only one image to enter each eye. |
Polarization
At Disney World, Universal Studios and other 3-D venues, the preferred method uses polarized lenses because they allow color viewing. Two synchronized projectors project two respective views onto the screen, each with a different polarization. The glasses allow only one of the images into each eye because they contain lenses with different polarization.
![]() The polarized glasses allow only one of the images into each eye because each lens has a different polarization. |
There are some more complicated systems as well, but because they are expensive they are not as widely used. For example, in one system, a TV screen displays the two images alternating one right after the other. Special LCD glasses block the view of one eye and then the other in rapid succession. This system allows color viewing on a normal TV, but requires you to buy special equipment.

Blu Ray vs HD DVD – clear winner ?
The high-definition movie disc battle between HD DVD and Blu-ray Disc can be traced all the way back to 2000, when companies began experimenting with using new blue lasers in optical disc systems.
Because the wavelength of blue light is shorter than that of the red lasers used in DVD, less physical space is needed to record each bit of data and so more information can be crammed onto a DVD-sized disc. This extra space was needed to store the new high-definition video and TV services that were starting to be commercialized around that time.
But what started in 2000 as technical research became a battle between the world’s largest electronics companies and movie studios, with the consumer caught in the middle.
Here’s a look at the major milestones from the first research:
2000
October 5 — Sony and Pioneer unveil DVR Blue at Japan’s Ceatec show. The format would go on to form the basis for first-generation Blu-ray Disc BD-RE.
November 1 — Sony announces the development of Ultra Density Optical (UDO), a blue-laser optical disc format proposed to replace magneto-optical discs.
2002
February 19 — Led by Sony, nine of the world’s largest electronics companies unveil plans for Blu-ray Disc.
August 29 — Toshiba and NEC propose to the DVD Forum the next-generation optical disc format that will become HD DVD.
October 1 — Prototypes of both formats are unveiled at Japan’s Ceatec exhibition. Sony, Panasonic, Sharp, Pioneer and JVC showed prototype Blu-ray Disc recorders while Toshiba showed a prototype under the name Advanced Optical Disc (AOD).
2003
February 13 — Licensing of Blu-ray Disc begins. Player makers pay US$20,000 to license Blu-ray while the content-protection system license carries a $120,000 annual fee and additional charge of $0.10 per player. Media makers pay $8,000 annually and $0.02 per disc for the copy protection system.
April 7 — Sony announces its Blu-ray Disc-based Professional Disc format for data archiving applications.
April 10 — Sony puts on sale in Japan the world’s first Blu-ray Disc recorder, the BDZ-S77. It’s based on a 23G-byte cartridge version of the BD-RE disc and costs ¥450,000 (US$3,815 at the time). The machine and a later model from Panasonic lack support for prerecorded movies that will launch later and prove an expensive early step into next-generation video.
May 28 — Mitsubishi Electric joins the Blu-ray Disc group.
2004
January 7 — Toshiba unveils its first prototype HD DVD player at CES. The player includes backwards compatibility with DVD.
January 12 – Hewlett-Packard and Dell put their support behind Blu-ray Disc.
June 10 — The first commercial version of HD DVD-ROM is approved by the DVD Forum.
September 21 — Sony announces the PlayStation 3 will use Blu-ray Disc.
November 29 — Paramount Pictures, Universal Pictures, Warner Bros. Pictures, HBO and New Line Cinema announce support for HD DVD.
December 9 — Disney announces support for Blu-ray Disc.
2005
January 7 — Backers of both formats promise players and movies in North America by the end of the year — something that never materialized.
March 24 — Talk and hope of a common format as Ryoji Chubachi, then Sony’s president-elect, says: “Listening to the voice of the consumers, having two rival formats is disappointing and we haven’t totally given up on the possibility of integration or compromise.”
April 21 — Sony and Toshiba begin discussions on the possibility of a single format. The talks ultimately go nowhere.
August 18 — Lions Gate Home Entertainment and Universal Music Group decide to back Blu-ray Disc.
September 27 — Microsoft Corp. and Intel Corp. put their weight behind HD DVD.
October 3 — Paramount Home Entertainment says it will offer movies on both HD DVD and Blu-ray Disc.
December 16 — Hewlett-Packard decides to drop exclusive support for Blu-ray Disc and back both formats.
2006
January 4 — Bill Gates announces at CES that Microsoft will offer an add-on HD DVD drive for the Xbox 360 console.
March 10 — Blu-ray Disc-supporter LG Electronics surprises the industry with news that it’s developing an HD DVD drive.
March 31 — Toshiba launches the world’s first HD DVD player, the HD-XA1. It cost ¥110,000 (US$936 at the time) in Japan.
November 11 — Sony’s PlayStation 3, which packs a Blu-ray Disc drive, goes on sale in Japan.
December 29 — Hackers report success in breaking through part of the AACS copy protection that’s on both HD DVD and Blu-ray Disc.
| Capacity | |||
| Blu-Ray | HD DVD |
||
| ROM single layer: ROM dual layer: RW single layer: RW dual layer: Highest test: Theoretical limit: |
23.3 / 25GB 46.6 / 50GB 23.3 / 25 / 27GB 46.6 / 50 / 54GB 100GB 200GB |
Single layer: Dual layer: - - Highest test: Theoretical limit: |
15GB 30GB - - 45GB 60GB |
| Codecs | |
| Blu-Ray | HD DVD |
| MPEG-2 Microsoft Video Codec 1 (aka VC1, WMV HD, etc.) H.264 / MPEG-4 AVC Dolby Digital AC-3, DTS, linear PCM Optional: Dolby Digital Plus, Dolby TrueHD, DTS HD |
MPEG-2 Microsoft Video Codec 1 (aka VC1, WMV HD, etc.) H.264 / MPEG-4 AVC Dolby Digital AC-3, DTS, linear PCM, Dolby Digital EX, Dolby Digital Plus, Dolby TrueHD Optional: DTS HD |
| Security | |
| Blu-Ray | HD DVD |
| Mandatory HDCP encrypted output ROM-Mark watermarking technology BD+ dynamic crypto (physical layer) Advanced Access Content System (AACS) |
Mandatory HDCP encrypted output (for HD) Volume identifier (physical layer) Advanced Access Content System (AACS) |
| Movie studio support | |
| Blu-Ray | HD DVD |
| 20th Century Fox Buena Vista Home Entertainment Hollywood Pictures Lions Gate Miramax Entertainment MGM Studios New Line Cinema Sony Pictures Entertainment Touchstone Entertainment The Walt Disney Company Vivendi Universal Games Warner Bros. |
Dreamworks Paramount Pictures Universal Studios |
| Major movie rental outlets *Still awaiting final confirmation |
|
| Blu-Ray | HD DVD |
| Blockbuster Netflix Movie Gallery / Hollywood Video* |
Movie Gallery / Hollywood Video* |
| Nationwide retail and major online support | |
| Blu-Ray | HD DVD |
| Amazon Best Buy Circuit City Costco K-Mart Target (said to be mostly Blu) Wal-Mart |
Amazon Circuit City Costco K-Mart Target |
| Format founders | |
| Blu-Ray | HD DVD |
| Sony Corporation Royal Philips Electronics |
Toshiba Corporation Hitachi Corporation |
| Companies listed as Members of the Board or Managing Members | |
| Blu-Ray | HD DVD |
| Apple, Inc. Dell, Inc. Hewlett Packard Company Hitachi, Ltd. LG Electronics Inc. Mitsubishi Electric Corporation Panasonic (Matsushita Electric) Pioneer Corporation Royal Philips Electronics Samsung Electronics Co., Ltd. Sharp Corporation Sony Corporation Sun Microsystems TDK Corporation Thomson Twentieth Century Fox Walt Disney Pictures and Television Warner Bros. |
Memory-Tech Corporation NEC Corporation Sanyo Electric Co. Toshiba Corporation |
| Companies listed as Members, Associate Members, or Contributors (may include duplicates and/or subsidiaries) |
|
| Blu-Ray | HD DVD |
| 1K Studios, LLC Acer Incorporated Adobe Systems Advanced Micro Devices, Inc. Allion Test Labs, Inc. Almedio Inc. Alpine Electronics Inc. Alticast Aplix Corporation ArcSoft, Inc. Arima Devices Corporation ashampoo GmbH & Co. KG ASV Corp. AudioDev AB Avid Development GmbH B&W Group B.H.A. Corporation BASF AG BluFocus Inc. Bose Corporation Brickbox Digital Media Broadcom Corporation Canon Inc. Cheertek Inc. China Hualu Group Co., Ltd. Cinram Manufacturing Inc. CMC Magnetics Corporation Corel Corporation Cryptography Research Inc. Custom Technology Inc. CustomFlix Labs, Inc. CyberLink Corp. D&M holdings, Inc. D-Box Technologies Inc. Daewoo Electronics Corporation Daikin Industries, Ltd. DATARIUS Technologies GmbH Daxon Technology Inc. DCA Inc. Deluxe Media Services Inc. Dolby Laboratories Inc. Dr. Schwab Inspection Technology GmbH Dreamer Co., Ltd. DTS, Inc. Eclipse Data Technologies Elpida Memory, Inc. Esmertec Expert Magnetics Corp. Falcon Technologies International FUJIFILM Corporation Fujitsu Ltd. Fujitsu Ten Ltd. Funai Electric Co., Ltd. GalleryPlayer Media Networks Gear Software General Members Gibson Guitar Corp. Global Machinery Co., Ltd. Gowell Electronic Limited Hie Electronics, Inc. Hoei Sangyo Co., Ltd Horizon Semiconductor. IMAGICA Corp. Imation Corp. Info Source Multi Media Ltd. INFODISC Technology Co., Ltd. Infomedia Inc. Intersil Corporation Iwatsu Test Instruments Kenwood Corporation Kobe Steel Co. Ltd. Konica Minolta Opto Inc. Lauda Co. Ltd. Lead Data Inc. LEADER ELECTRONICS CORP Lenovo LINTEC Corporation Lionsgate Entertainment LITE-ON IT Corporation Macrovision Corp. Magnum Semiconductor, Inc. MainConcept AG MediaTek Inc. Meridian Audio Ltd. MIT Technology Co., Ltd. Mitsubishi Kagaku Media Co.Ltd. Mitsui Chemicals Inc. Mitsumi Electric Co., Ltd. Monster Cable Products Moser Baer India Limited MoSys Incorporated Must Technology Co., Ltd. MX Production Services NEC Electronics Corporation NEC Personal Products Ltd. Nero Netflix Inc. Newtech Infosystems Inc. NexWave Solutions NHK Technical Services, Inc. Nichia Corporation Nikkatsu Corporation NTT Electronics Corporation nVidia Corporation OC Oerlikon Balzer AG Omnibus Japan Inc. Onkyo Corporation Online Media Technologies Ltd. Ono Sokki Co., Ltd. OPT Corporation Optodisc Technology Corporation Origin Electric Co., Ltd. Osmosys SA Pico House Pixela Corporation Plannet Associates PoINT Software & Systems GmbH Pony Canyon Enterprise Primera Technology, Inc. Prodisc Technology Inc. Pulstec Industrial Co., Ltd. Q-TEC, Inc. Quanta Storage Inc. Quantized Systems Realtek Semiconductors Ricoh Co., Ltd. Rimage Corporation Ritek Corporation Sanyo Electric Co., Ltd. ShibaSoku Co. Ltd. Sigma Designs Inc. Silicon Integrated Systems Corporation Singulus Technologies Sonic Solutions Sony BMG Music Entertainment ST Microelectronics Sunext Taiyo Yuden Co., Ltd., Targray Technology International Inc. TEAC Corporation Teijin Chemicals Ltd. Texas Instruments, Inc. The Cannery THX Ltd. Toei Video Company Ltd. Toho Company, Ltd. Toppan Printing Co., Ltd. TOPTICA Photonics AG Trailer Park UmeDisc Ltd. Universal Music Group, Inc. Victor Company of Japan, Ltd. VideACE Inc. Visionare Corporation Yamaha Corporation Yokogawa Electric Corporation Zentek Technology Japan, Inc. ZOOtech Ltd. Zoran Corporation |
Acer Inc. ACSES Co.,Ltd. Ad Seeds Co.,Ltd Allion Test Labs, Inc. Almedio Inc. Alpine Electronics, Inc. Altech Ads Co. ArcSoft, Inc AudioDev AB B.H.A Corporation Bandai Visual Co. BEKO Elektronik Broadcom Corporation Canon Inc. CDN Corporation Clariant Japan CMC Magnetics Corporation Corel Corporation CyberLink Corp D&M Holdings Inc. Daikin Industries Daiko.co,ltd. Daxon Technology Inc. Dedicated Devices, Inc. DigiOn, Inc. Digital Site Corporation Disc Labo Corp. Dolby Labs, Japan Dr. Schwab Inspection Technology GmbH DT Japan, Inc. DTS, Inc. Ebistrade, Inc. Entertainment Network Inc. Exa International Expert Magnetics Corp. Finepack . Co.,LTD Flag,Inc. Fuji Photo Film Co. Fuji Plastic Co. Fuji Seiki Co. Fujitsu Limited. Funai Electric Co. Gear Software, Inc Gibson Musical Instruments GM Records Hamamatsu Metrix co.,ltd. Hitachi Corporation Hitachi Maxell, Ltd. Hoei Sangyo Co. IDE-AVA IMAGICA Corp. Imation Corp Info Source Multi Media Korea Ltd. Infodisc Technology Co. Intel Corporation Itri Jp Co., Ltd Justsystem Corporation Kadokawa Holdings, Inc. Kaleidescape, Inc. Kenwood Corporation Kinyosha Printing Co. Konica Minolta Opto, Inc. Lenovo Japan McRay Corporation Megan Media Holdings Bhd Microsoft Corporation Mitomo Co., Ltd Mitsubishi Kagaku Media Co., Ltd. / Verbatim Mitsui Chemicals, Inc. Moser Baer India Ltd MPO INTERNATIONAL Nero AG NetBlender, Inc. NHK Technical Services, INC. Nichia Corporation Nihonvtr Inc. Nikkatsu Corporation nixbu Entertainment GmbH & Co. KG Oerlikon Japan Co., Ltd. Omnibus Japan Onken Corporation Onkyo Corporation Online Media Technologies Ltd. Origin Electric Co. Outpost FX (AB) International Paramount Home Entertainment Pegasys, Inc. Pico House Co.,Ltd Pixela Corporation Plasmon OMS Sarl Pony Canyon Inc. PonyCanyon Enterprise INC. Proboxx, Inc Prodisc Technology Inc. Protron Digital Inc. Pryaid Records Inc. Pulstec Industrial Co. Q-Tec,Inc. Query inc Ricoh Co. Ritek Corporation Sanken Media Product Co., Ltd. Shibaura Mechatronics Corporation Sonic Solutions Sonopress GmbH Sumitomo Heavy Industries. Ltd Super Vision, Inc. Taiyo Yuden Co. Teac Corporation Teijin Chemicals Ltd. Toei Video Co. Toemi Media Solutions Limited Toho Company, Limited. tokyo laboratory ltd. Toppan Printing Co. Toptica Photonics AG Toyo Recording Co. Transmix Co. Trendy Corporation U-Tech Media Corp. Ulead Systems, Inc. Universal Pictures Vap Inc. Visionare Corporation Warner Home Video Inc. |
2007
January 7 — Seeking to end the battle, LG Electronics unveils a dual-format player, while Warner Bros. shows a prototype disc that holds both an HD DVD and Blu-ray Disc layer so is compatible with players for both formats.
April 17 — Sales of HD DVD players in North America hit 100,000 since launch.
August 1 — Microsoft cuts the price of its HD DVD player for the Xbox 360 from US$199 to US$179 and starts offering five free movies.
August 20 — Paramount and Dreamworks Animation both drop Blu-ray Disc in favor of HD DVD.
September 13 — Sony says it will use Blu-ray Disc in all high-def video recorders in Japan.
November — The price of Toshiba HD DVD players drops to US$100 with rebates as the holiday shopping season begins.
November 11 — Sony begins selling a lower cost version of the PlayStation 3.
2008
January 4 — Warner Bros. drops its bombshell: it will stop issuing HD DVD movies in the coming months and rely exclusively on Blu-ray Disc. In response the HD DVD Promotion Group cancels its CES news conference.
January 6 — Akio Ozaka, head of Toshiba America Consumer Products, says at CES: “We remain firm in the belief that HD DVD is the format best suited to the wants and needs of consumers.” In response Sony CEO Howard Stringer, with a grin on his face, says “All of us at Sony are feeling blue today.”
January 14 — Toshiba cuts the price of HD DVD players with the HD-A3 seeing a retail price of US$150.
February 11 — NetFlix and BestBuy say they will phase out HD DVD.
February 15 — Wal-Mart, the world’s largest retailer, says it will phase out HD DVD by June.
February 16 — Japanese public broadcaster NHK reports Toshiba has halted production of HD DVD players. Several additional local media reports confirm and The Nikkei business daily says Toshiba has decided to stop developing the format any further.
Most expensive movie ever
When James Cameron‘s Avatar was announced a couple years back, we wondered if it would be the most expensive movie of all time. There have been a few films since the initial announcement that topped Fox’s proposed $200 million budget. Spider-Man 3 producers insisted that the streaming film’s budget didn’t exceed $270 million, but some reports claimed a number closer to $350 million. But like most films, and especially films made on the cutting edge, the initial budget and the budget after all is said and done, are vastly different.
Time Magazine mentions in their latest 3D article that the budget for Avatar has ballooned to a “cost in excess of $300 million”, and I’m pretty sure they mean before press and advertising. To this day, the highest estimated film budget was $300 million for Pirates of the Caribbean: At World’s End. So If Time Magazine is correct, Avatar is now the most expensive movie of all time. The article has a bunch of cool tidbits. For instance, Steven Spielberg predicts Avatar will be the biggest 3-D live-action film ever. Cameron says that “every film I’m planning to do will be in 3-D.” Peter Jackson makes the claim that he believes “that almost any movie benefits from 3-D.”
And best of all, the reporter got to see some footage from Avatar and claims that he “couldn’t tell what was real and what was animated”. John Quittner writes: “Even knowing that the 9-ft.-tall blue, dappled dude couldn’t possibly be real. The scenes were so startling and absorbing that the following morning, I had the peculiar sensation of wanting to return there, as if Pandora were real.”

Best Classic Horror Movie (Carrie (1976))
One can’t help but to smile fondly when one hears the line, “They’re all going to laugh at you.” Carrie was the first, and undoubtedly the best of Stephen King’s book adaptations. What gives Carrie its staying power? The fact that underneath the supernatural overtones, this film remains to be one of the most realistic and relatable cinematic tragedies of modern day.
For those who have been living under a rock, Carrie is the ultimate tale of the cruelty of high school. Carrie White is an outcast in school (mostly due to her obscenely religious mother), and gets tortured by all the popular girls in school. The thing they don’t realize is Carrie becomes telekinetic when she gets angry (she can move objects with her mind), an anger which continues to grow until it peaks to an uncontrollable and frightening level after a poor-taste prank was pulled on her at the high school prom.
There are many reasons why this film is such a landmark of cinematic horror. First of all, it is Stephen King’s first book-to-film adaptation, and is one of the very few adaptations that was done well. This isn’t really saying much. To give King credit, his books are almost impossible to adequately adapt into a two-hour film because they are so convoluted, and editing out any plot point takes away so much from the overall story. As he is one of the few authors who has absolutely no issues with continuity or leaving all his ends tied up in the end, when his books are edited to make a film, plot holes ultimately result. This isn’t the case with Carrie because it is an unusually straightforward, relatively uncomplicated story for him, and therefore is the perfect book to adapt to film.
Is latest Jim Carey Movie a fail ?
Am still to buy a dvd, but i watched the trailer and it looked kinda crappy ? I dont know …The plot no matter how good it is talks about penguins trainer …which is..i dont know – a fail ? I think this movie is pretending to be funny-fiction-that-proves something ala Chocolate Factory, but it fails miserably at it. It not enough freaked out, and too realistic. The end result is that it seems like they are always trying and never delivering…Well that a LOT of conclusions from a trailer and lets hope the DVD will not let me down. Now lets watch the trailer. (there is a website as well for this movie) btw – i love Jim

Does all sequels sucks ?
Congratulations! Your film has done admirably at the box office. Your combination of (breathtaking effects/clever writing/wicked action scenes/biting social commentary; circle one) and (breathtaking effects/clever writing/wicked action scenes/biting social commentary; circle one) has led the producers to greenlight a sequel. Please begin (eviscerating the film?s soul/firing every original actor/hiring a retarded monkey to write the script/slashing the production budget/obscenely inflating the production budget/marketing the movie to angsty 12-year-olds; circle one) in preparation for the sequel?s release.
Cheers,
Corporate
So maybe movie studios aren?t always that point-blank about their plans to create sequels. Really, though, if you look at all the spectacularly bad sequels that have come out in the past decade or so, it wouldn?t be any stretch of the imagination to see memos like the one above being sent out every few months by production companies.
Sometimes it seems like movie studio execs simply have no idea what they?re producing. Certainly, the box office success of one movie does not guarantee the success of a sequel. There are so many variables that go into what makes a good movie that it?s nearly impossible to capture all of them and repeat the success a second time.
Take the recent release of The Ring 2. You may have noticed the less-than-positive review in last week?s Pillbox ? the film had no possibility of living up to the original, which was a highly regarded and well-executed movie. Of course, The Ring 2 has been performing well at the box office, but that is more an effect of having no other even marginally entertaining movies in theaters right now and especially because it?s only PG-13. Even considering that, this movie should never have been made. In fact, The Ring 2?s Japanese counterpart, Ringu 2, was only created because people didn?t like the original sequel (titled Rasen, or ?spiral?).
A lot of sequels don?t even get the restrained respect that The Ring 2 is starting to get. For example, take the release of Son of the Mask earlier this year. Even on the film?s own merits and if the movie were a completely original film devoid of franchise ties, it would have been a miserable failure. The film cost $84 million to produce and even more to market, and to date (in the month and a half it?s been out) it has made just over $25 million worldwide. This is a perfect example of the worst way to go about a sequel: Not only did the production company take a franchise that has been dormant for 11 years, except for a mildly entertaining cartoon show, but they also got rid of the original director, original screenwriter, original cast, and even the original feel of the movie. In fact, Son of the Mask was produced and marketed as a kids? movie ? the inheritors of the enchanted mask are a dog and a baby. Stunning filmmaking, indeed.
And then there was the brilliant idea of making bad sequels to already bad movies. Elektra, released earlier this year, was a sequel to the mediocre Daredevil. No one expected the production company to spin off a relatively uninteresting character (who actually ends up dying in Daredevil) into her own movie ? even though they did give it a hefty budget and kept the star. The production company simply couldn?t solve the problem of an uninteresting story and poor acting. The producers of the movie haven?t yet disclosed how much they spent to make the movie, but it?s only made $52 million worldwide ? a paltry amount for any Marvel Comics film.
15. Escape from the Planet of the Apes
This is probably the least popular choice on the list, but I am including it because it did such a great job of reversing the morality of the first film – in the original the Humans are treated like animals and kept in cages – in this film, the Apes are studied by humans in the return to Earth in the future. This film is both a prequel and a sequel as we go back in time chronologically, but forward in time sequentially. The only clip I could find for this film is the DVD series trailer.
14. Die Hard 2 (Die HARDER!)
John McClane just wasn’t quite finished dealing death to the bad guys at Nakatomi Plaza, and he felt the need to dish out more than enough thrills and kills in and around an airport. Willis kicks the excitement level up just enough to keep the story alive and well. Twice more since, as well!
13. Predator 2
This time, rather than the jungle, Danny Glover tracks our space monster through the city streets, buildings, and backyards taking over nicely from Arnold. Key scenes in this fine continuation include the healing wound bit taking place entirely in an old woman’s bathroom, and the view of the creature’s trophy case at the end featuring an Alien skull! Sorry, all I could find was this review.
12. Harry Potter and the Chamber of Secrets
Coinciding with the wonderful children’s book series, the adventure continues with Harry, Ron, and Hermione at Hogwarts. This time, now that Harry is a bit more familiar with his magic, the trio take on a giant Basalisk!
11. Toy Story 2
Originally planned for a direct-to-DVD release, Disney-Pixar decided most wisely to ship this sequel to theaters instantly creating another masterpiece. The search for Woody by Buzz and crew is at most heartwarming and adds a whole different layer to the story.
The wonderful song in the video was nominated for an Oscar.
10. Spider-Man 2
Largely considered to be the world’s greatest superhero movie, the sequel to the amazing SPIDER-MAN movie proved not only that one of the most beloved comic book characters can be translated to the big screen without sacrificing a bit of the humor and humanity brought to the page, but can also be directed by a moan much more well known for horror films: Sam Raimi. Tobey Maguire proved his chops as well by acting every bit the way we all see Peter Parker.
9. Drunken Master 2
In 1978 Jackie Chan became a huge international star (everywhere but in the United States) with Drunken Master . So in 1994 on the brink of becoming a huge star in the U.S. too, Jackie made this sequel/homage to the original. It continues the story of Chinese folk legend Wong Fei Hung. It’s one of his very best films. It was finally released in a slightly edited, specially dubbed version on U.S. screen in 2000. In 2000, they finally dubbed, edited and re-mixed the soundtrack to show Jackie at his very best in an amazing and thoroughly enjoyable action comedy which proves once and for all what an incredible athlete and martial artist Jackie is. This film has some of the most intricate, creative, and beautiful one on one fighting choreography you will ever witness. It’s also very funny and Jackie’s at the peak of his skills and charisma here.
8. Evil Dead 2
When Sam Raimi wrote and directed the original horror classic, EVIL DEAD, with Bruce Campbell, he was only trying to make a film and never anticipated the love he received. Having accumulated enough cash from the flick, Raimi went back to work essentially re-writing the story as a sequel and retelling as EVIL DEAD 2. It’s close to the original, but far superior.
7. Batman Begins
Okay – I realize that this is a prequel – but chronologically speaking it came after, so I am including it. Batman Begins was really the first Batman film that was of truly epic proportions. With brilliant acting from Michael Caine and the best onscreen batman to date (Christian Bale), how could we leave it off?
6. The Bride of Frankenstein
Not necessarily meant to be a sequel per se, the fearful saga of the lumbering and reanimated corpse leaps to a new terrifying level as the good doctor creates woman. The bride turns out to be even more horrifying than original!
5. Aliens
Ripley finds herself on a planet supposedly overrun by the very alien life forms she desperately tried to avoid in the original. With amped-up action and an all-out war with the bugs, Bill Paxton, Michael Biehn, and Lance Henrickson join the superb cast to do all out battle.
4. Indiana Jones and the Temple of Doom
Actually a prequel, though still the second in the story, the TEMPLE OF DOOM follows our hero, Indiana Jones, making his way around the world to India in order to rescue the Shankara Stones from the evil Mola Ram. Tagging along this time are Stephen Speilberg’s real-life wife, Kate Capshaw as a Hollywood dancer, and the every bubbly Short-Round. Most disgusting scene: Monkey brains! Oh, and those bugs, “aren’t fortune cookies!”
3. The Lord of The Rings: The Two Towers
Peter Jackson did everything humanly possible to cram every bit of the Tolkein books into his sprawling, gorgeous trilogy. But even with that, there had to be a second movie and that had to come after the release of THE FELLOWSHIP OF THE RING. The cliffhanger left the audience wanting so much more, and THE TWO TOWERS more than delivered. It would prove to be epic.
2. The Empire Strikes Back
Some of the most startling revelations ever brought to screen, the sequel to STAR WARS: A NEW HOPE gave the world the paternal Darth Vader, the patriarchal Yoda, and the growing love between a space scoundrel and a princess. Directed by Irvin Kirshner, the stark differences between the bleached frozen wasteland of Hoth, the wispy calmness of Cloud City, and the earthy filth of Dagobah, proved his creative worth to the original trilogy. The Jedi attains truth through the Force, and shows us just hour dour and unsettling the galaxy far, far away can be.
1. The Godfather Part 2
The Corleone family made us feel the raw, underhanded grit of being inside the Mafia. And much like a family in reality that we’ve all grown to love, they return in nearly a much stronger movie than the original. Perhaps the most well-known and most beloved sequel ever made, THE GODFATHER PART 2 continues to be a classic seen the world over.
Notable Omissions: Dawn of the Dead, Terminator 2
__________________________________________
There are exceptions to bad sequel syndrome, of course. X-Men 2 and Spiderman 2 both kept the original cast, the original director, and the spirit of the film, and both were regarded to be great sequels. Even The Italian Job and Ocean?s 11, while not proper sequels, were both remakes of older films and kept the spirit of the originals alive, while updating the films to make them relevant and enjoyable to modern audiences.
Fortunately, sometimes it is possible to redeem a franchise. The abysmally rubber-nipple-tastic Batman & Robin was definitely a low point in superhero movie history. Arnold Schwarzenegger as Mr. Freeze, wearing a chromed
bondage suit, was something no one should ever have been subjected to. The film was horrible enough to end Alicia Silverstone?s career (the biggest movie she?s been in since then was Scooby Doo 2). However, salvation may be coming in the form of creepy tough guy Christian Bale, who is taking the role of a young Bruce Wayne in the upcoming Batman Begins. The film has been testing very positively with critics and fans at prescreenings, so there is hope that it will bring the franchise back to its respected roots.
In a few rare cases, sequels have done even better than the original movies. Die Hard: With a Vengeance, the third film in that franchise, which went back to the director and ?yippee-ki-yay? attitude of the original, became vastly more popular than its predecessor, though not quite as highly grossing.
The spirit of a film is its heart, its soul, and its ability to perform at the box office. Too often, in the rush to make a quick buck, movie executives lose sight of the movie?s original spirit and tend to go for whatever will get the most attention. With marketing costs ever rising, the pinch to squeeze money from the public is getting stronger ? and unfortunately for moviegoers, the easiest way to do that is by making horrible sequels in already existing franchises. On behalf of the production companies that make these horrible sequels: my apologies.
I didn’t laughed so hard in long time!